Hello, welcome. We decided to build our own home here in the rainforest. I’m known locally as Lottie. I’m an architect from London and my partner Lelem is from Sarawak in Borneo. He is a maker with deep knowledge of local food and the land.
Within our lifetime, where a tree once fell in a storm, new trees will rise again, our home, part of the living cycle that surrounds us.
The first step was choosing the location on site. We wanted to be by the river, somewhere that felt rooted.
From there we began designing together, sketching, talking and imagining ideas. We also used AI, Midjourney, to help visualise some of those early thoughts.
Because we wanted to use as much local material as possible, we knew the process would take time. That pushed us to develop the plan layout and the design in 3D BIM. When you begin self building the process quickly becomes physical and demanding, so early clarity really helps.
Most of the timber for the house came from trees that had fallen naturally in a storm many years earlier. The timber had already dried, but it in some places had started to rot, but with help from the community we salvaged what we could and carried it by hand to the site.
Our design principles were efficiency and phased buildability. We wanted something that could give us shelter and a home relatively quickly, but also something we could then continue to refine over time.
We chose a metal roof pitched on all four sides because it gives strong protection from wind, sun and rain. The house also stands lightly on stilts, which allows rainwater to pass beneath.
We wanted the house to have two levels. For efficiency we placed the upper room within the roof itself, with large gable openings on both sides.
This created a flexible living space upstairs which later became the place where we held our wedding ceremony.
Downstairs we designed a protected bedroom at the centre of the house with an open deck around it for social gatherings.
To stabilise the timber frame we built two concrete cores these contain the kitchen and bathroom where the plumbing is needed, while also anchoring the main columns that carry the upper floor and the roof.
The house slowly became more than a shelter. It became the place where we would begin married life and celebrate with our community.
The Balinese people have a traditional way of designing houses called Asta Kosala Kosali, Eight Principles of Measurement. It sets out rules for the layout of homes and sacred buildings, drawing from Vedic scriptures and passed down through generations. It is the Balinese guide for how to measure, plan and build houses and shrines in harmony with spiritual and natural laws.
Asta Kosala Kosali
Eight Principles of Measurement
Asta Kosala Kosali uses the body of the homeowner as the unit of measure instead of meters or centimeters. This makes the house in proportion to the person who lives there.
Hasta, length from the wrist to the tip of the middle finger
Depa, the span of two outstretched arms
Amusti, width of a fist with the thumb raised
The Philosophy
Tri Hita Karana, three causes of harmony, this creates balance between humans, God and nature. According to this principle, the northeast is the most sacred space where family temples are built. The southwest is less sacred, so kitchens are placed there.
Pawongan, human
Palemahan, environment
Parahyangan, spiritual
Tri Angga, Three Area of the Body
Meaning three parts of the body and three levels of existence. Foundations are made from stone or brick, walls from natural materials, and roofs from fibers or reeds that connect to the sky.
Nista, lower realm, foundation, linked to demons or base desires
Madya, middle realm, walls, doors and windows, linked to human nature
Utama, upper realm, roof, linked to the divine and the ancestors
Tri Mandala, Three Sacred Spaces
Referring to three zones of the courtyard.
Nista Mandala, outer or back area, for service and animals
Madya Mandala, middle area, for family life
Utama Mandala, innermost area, for shrines and rituals
The Sanskrit Language
The words Asta, Kosala, Kosali, Tri, Angga and Mandala come from Sanskrit. Sanskrit is an ancient language, one of the world’s oldest recorded languages. Today, people can read ancient Sanskrit texts with almost no change in meaning. In Sanskrit, the sound of a word is its meaning, the vibration their sacredness. Which is lost in translation.
It is the language of the Vedas, Hindu scriptures and many classical Indian texts on philosophy, art, science and architecture.
In Bali, a lot of traditional knowledge, including religion, rituals and architecture, comes from Hindu culture. Many Balinese concepts use Sanskrit words. Over time they blended into the Balinese language but the roots are Sanskrit.
The architect of a Balinese house is called an Undagi. Guided by Asta Kosala Kosali, the Undagi ensures the home is built in balance with the human body and the cosmic order.
Typical Balinese Courtyard Buildings
Bale Daja, north pavilion for sleeping or ceremonies
Bale Dauh, west pavilion for family gatherings
Bale Dangin, east pavilion for rituals and guests
Merajan or Sanggah, family temple in the northeast
Bale Delod, south pavilion
Paon or Prantenan, kitchen in the southwest
Lumbung, granary for rice
Kandang, animal pens
Angkul angkul, entrance gate
We live in a house built from a couple of large trees that fell naturally many years ago in a storm, in our lifetime those trees will naturally grow back.
That simple fact matters to me more than any sustainability credit or claim.
Our roof is metal. It can be reused, recycled or eventually it too would return to the land. The house sits lightly on stilts. It is repairable. It does not rely on a complex systems to exist.
This is what sustainability looks like to me.
Not high rise buildings stacked systems with people and plants held in the air by extreme engineering. Those buildings are detached from the ground. They require constant complex maintenance and energy.
Real sustainability is quiet. It is local. It regenerates faster than it extracts.
As architects we should be honest about this.
Using materials that have lived and will live again. That is the practice I preach.
There is a growing fear around AI that one day no humans will be in control. The uncomfortable truth is that no individual human is in control now. Modern systems are too complex and too distributed for any single person to fully understand let alone control. Decisions emerge from layers of incentives processes regulations markets and momentum. People exist inside these systems. They are not steering them. They are responding to them.
AI does not introduce the loss of control. It accelerates systems that already operate beyond individual oversight.
AI will automate tasks and amplify existing dynamics. Work tied to physical reality land materials care maintenance and local knowledge will become more valuable not less.
We will likely have more time for the things that matter.
Readers follow Ilar through a single day in the Sarawak rainforest, from first light to nightfall. As she forages and fishes the jungle becomes a mirror. Each animal she meets reflects her boundaries, her courage and the quiet structure underneath choice and belonging. Inspired by local native folktales these fables blend real jungle observation with intimate reflective moments, inviting readers into the wild within.
Ilar child of Carver
Chapter One
The Kingfisher
Ilar woke and walked down to the stream to collect fresh water before the sun’s light. Stones silk with moss, the air cool, goosebumps on her arms. Her black and white cat followed, watching as if on duty. The day before she had seen a rare frog by the water’s edge. She wondered if she could capture it on her camera.
As the day began to wake, Ilar crouched at the edge of the shallow stream, camera in hand, eyes scanning. A small emerald green frog blinked up at her from a leaf, then slipped into the water. She adjusted the lens, leaning forward, careful and poised.
From above, a kingfisher watched her.
Ilar lowered the camera, laughing softly. “It slips away, and yet, when I’m not trying, it unfolds perfectly.”
The kingfisher’s blue feathers caught the light.
“The lens focuses on capture, but not what is.”
Ilar watched dragonflies skim the water’s surface. “There’s tension between living and capturing.”
“It ties you to what’s past, or to who you want to show it to,” the kingfisher said. “The forest lives whether you photograph it or not. The richness is in your laughter.”
Ilar watched the frog move beneath the clear water and vanish. Sunlight fell in golden ripples across the river and onto an uncountable number of leaves that flickering in the breeze.
Photography had become a companion, a compass. The lens gave her focus, and in that focus she began to see more. The world became a composition of alignment and light.
“Trying to capture yesterday was foolish,” Ilar said. She knew the moment had passed and many more surrounded her. “There is courage in accepting the ever changing nature of life,” she said quietly, “letting moments live only in memory.”
The kingfisher flicked its tail.
“Some will collect every moment. The depth is not in the photo you take, but in the way you are changed by it, something you carry as an unexplainable twinkle in your eyes.”
Ilar stayed quiet, listening to the water flow and watching the sunlight dance. The forest was never still, never truly captured, only experienced.
Heading back to the house, she passed the chickens and startled them deliberately, a fluster of dusty feathers and scorn. In the commotion she spotted two eggs nestled in the usual corner and slipped them into her pocket.
Back inside, she brewed the water, watching the smoke rise into the morning like a prayer.
Chapter Two
Mother Sunda Clouded Leopard
Low light illuminated mist as the forest held its breath between night and day. A mother Sunda clouded leopard moved along a narrow trail of flattened leaves. Her cub followed, stepping into the impressions her paws left behind.
A humble wooden dwelling was taking shape. Raised on timber posts above the ground. Walls woven from split bamboo. A steep metal roof rising purposefully. Smoke coming from within catching the early morning dawn light, a thin curl against misty green leaves.
Ilar stepped out of the house to collect lemongrass.
The cub noticed the way she walked carefully across the uneven ground.
Ilar paused. Breath quiet, bare feet cool against damp earth. She saw the cub’s ears flick and the subtle tension in the mother’s shoulders. She felt the quiet weight of being observed.
They resumed walking slowly away.
A moment after the cub asked.
“Mother, a human?”
The mother paused beneath a strangler fig and listened, not to him, but to the forest. Only when the insects resumed their rhythm did she answer.
“They are powerful,” she said.
“They build great structures. Yet many live inside lives they did not choose.”
“Why?” the cub asked.
“Often,” she replied, “they do not realise they are choosing.”
The cub crouched lower. “Is it safe here?”
The mother looked toward the house for a long moment.
“It is inhabited.”
“They once lived only in places like this,” she said. “Close to water. Close to soil. Close to consequence.”
The cub glanced again toward the house. “Why leave the others in their cities to return here?”
The mother stepped closer to the edge of the clearing, silent in her movement.
“Sometimes a path that once felt purposeful becomes…”
A sound came from the house.
The mother held her gaze forward. They remained still as Ilar disappeared back inside with freshly cut lemongrass.
“What does it mean to realise choose?” the cub asked.
“To claim authorship,” the mother said, “is not to destroy what shaped you. It is to decide what continues.”
The cub looked toward the deeper forest ahead.
“Is it more difficult?”
“Yes,” the mother said.
She turned away from the clearing and stepped back toward denser trees.
“But so is remaining in a life that is no longer yours.”
The cub hesitated once, glancing back. Smoke continued to rise. The river moved steadily past.
“Where are we going?” he asked.
The mother walked on.
“We are on the move from here.”
“Like the river?”
“Yes. My cub. Like the river.”
Inside the house, Ilar listened to the kettle begin its soft bubble, remaining still in the memory of the jungle closing behind the mother and cub.
Mist curtains thinned beyond the small window. The light sharpened. The day felt placed in her hands.
Chapter Three
Web of Life
The sun lifted, still cool, bright enough to reveal what night had hidden. Near the house, a large spider’s web hung between timber and vine, visible only as the light rose in the morning.
Ilar poured hot spring water onto freshly cut lemongrass, then stepped outside with the mug cupped in her hands, her cat standing proud at her ankles. She paused beneath the delicate web lattice, eyes tracing the silk threads as though reading the forest itself.
The web was immense. Its silk held in balance. So fragile, so much work.
The spider continued its weaving.
“One must hold more than thread,” it whispered.
Ilar studied the shimmer of silk in the mist. A large beetle blundered into the web in a gust, the strands trembling under its weight.
“It holds against wind,” Ilar said.
“And rain. And the weight of what is unwanted,” the spider replied. “It holds because I hold. It is calibrated to the steadiness of my attention.”
The beetle struggled, then dropped free and flew off unsteady.
Ilar moved closer. “And if you falter? If your mind wavers?”
The spider moved along a single line, adjusting its tension with deliberate care.
“Then the silk tightens or sags. If I weave in haste or hunger, the pattern contracts. What I build reflects the state from which I build. The web reveals me.”
Ilar exhaled, feeling resonance in her chest.
“If I remain steady,” the spider continued, “I see where to extend and where to stop. I waste less. I rebuild more precise.”
“Creation is not control,” Ilar said quietly. “It is calibration.”
“The forest moves as it will,” the spider replied. “The question is whether you remain steady while it does.”
Ilar let the words settle. She felt patient suspended like the web itself. A drop of rain caught in the silk, held for a moment, then released to the leaf below.
She took a sip of her lemongrass tea. Warm, sharp, alive.
Chapter Four
The Paradise Flycatcher
Two eggs poached in a small bowl wit a bit of salt were eaten with intention. By mid morning the light had strengthened and the jungle widened, more awake.
She headed out before it grew too hot, moving through thick roots and shadowed undergrowth, her basket light against her back, held by a strap of bark looped through her hand. Her cat trotted alongside, alert to the errands.
At the edge of the open field by the old tree, she entered the thicker forest where fruit fell heavy and sweet when it was ready.
Somewhere ahead, the scent of soft ripe fruit drew her in. A sudden swirl between leaves, a white ribbon in the green. A paradise flycatcher whirled through the air, its long tail streaming like silk pulled loose. It landed, looked at the cat, then at her, assessing.
Ilar paused. In that quiet she felt the reflection of herself in its presence, the grace, the patience, the sense of motion and stillness at once.
“I have learned to move through the unknown with attention and curiosity,” the bird said, as if the voice were rising from within her.
Ilar watched the subtle shifts of the forest, the way light and sound moved through air carrying life.
“The flows of energy,” she said softly. “The unfolding.”
“I live inside that complexity without losing myself,” the bird replied.
A calm settled over her.
“It is why you can build and navigate,” Ilar said.
The bird tilted its head.
“Something can be right and wrong at the same time,” it hummed. “Opposites can exist together.”
A plump cempedak caught her eye, hanging without resistance, smelling of sap and sweetness.
With the patient, enduring strength she had always carried, she climbed between two trunks, reached upward and snapped the heavy fruit free. It landed on the leaf strewn ground with a dense, certain weight.
“That is abundance,” sang the bird as it took flight, tail turning the air to calligraphy.
Ilar watched for the last glint of white. A single feather drifted down to her path.
Complexity is beautiful, she thought, feeling the heat of the day begin to press in.
Chapter Five
Silvered Leaf Monkey
The path dipped toward the river and the air grew wetter, light breaking on the surface in fractured shards. Ilar reached a tree whose branches held dark oval fruit. She cut a long bamboo with a clean strike of her parang, hooked the end, and rattled the branches. The cemayau fruits dropped onto leaves with soft thuds. She gathered them quickly.
Her cat, who had followed until now, stopped. It looked back toward the direction of the house and the familiar paths. Ilar called its name. “Te’lung.” It came to her side. She patted its head once. Then it turned and slipped away toward home.
Above the river, a silvered leaf monkey watched from a branch, pale coat catching the light, eyes unreadable. It scratched absently, watching her.
“You come here alone?” it asked.
“Yes,” Ilar said, glancing once more toward where the cat had gone.
“You live in a pack?”
“Yes, though it is practical, not as romantic as you might imagine. Each cares for their own family, their own needs.”
“Is there kindness?”
“Yes. And there is edge. Humans are neither noble nor wicked. They simply are.”
The monkey flung a fruit peel, cutting her off.
“Do you live peacefully?”
“It is peaceful when I allow it to be,” Ilar said, watching the river’s surface. “When I accept it as it is, not as I wish it to be.”
“Seeing without judgment?”
“I suppose. When I do not ask humans or the jungle to be anything other than they are. I am learning to observe more. To let the forest teach me.”
The monkey tilted its head, teeth showing briefly.
“Are there dangers?”
“Yes. Taking without care. Ignoring consequence.”
The breeze shifted. Sunlight slid along the water.
“Here the land mirrors you,” the monkey said. “You are closer to your wildness.”
Ilar met its small, bright eyes for a moment, then looked away.
“Humans, like all creatures, are flawed.”
“Yes,” the monkey said. “But in seeing clearly, without illusion, richness appears.”
“Not perfection,” Ilar added. “Not even morality. But standing with what is real. Receiving without needing to control.”
The monkey moved off before she stepped too close, retreating into leaves.
The river continued its movement, breaking and rejoining itself again and again.
Chapter Six
The Orangutan
Heat thickened in the hours before midday. In a shaded grove Ilar picked young curled ferns, while above her a slow moving orangutan rested in the branches, looking out over the forest with steady, patient eyes.
Ilar placed her basket beside her. The scent of ripe fruit drifted down, sweetness edged with durian depth. The branches were high. A misstep here would not forgive her easily.
The orangutan shifted, then looked down as if the question had already been asked.
“Some beings enter your life not to mirror your strengths, but to reveal them,” it said. “They show where patience thins, where boundaries are crossed, where your own energy must be guarded.”
Ilar watched for fallen fruit, slightly frustrated, calculating distance and risk.
“Anger. Frustration. Disappointment,” the orangutan continued. “They reflect what you are willing to inhabit.”
“It is humbling,” Ilar said, “to confront that not everyone can meet you where you stand.”
The orangutan moved along the branch with certainty, reaching toward fruit she could not reach.
“Forcing alignment erodes what defines you,” she added.
“Respect is not demanded,” the orangutan replied. “It is given freely, when boundaries are honoured.”
Ilar stood beneath the tree a moment too long, aware of the weight that might fall without warning.
“Life is rarely perfect,” she said. “Those tied to you by love or choice will test you again and again.”
She considered climbing, then remained still. Not today.
“It does not always mean separation,” she continued. “Sometimes it means space. Sometimes patience. Sometimes the courage to remain without abandoning yourself.”
The orangutan’s gaze softened.
“You do not abandon when you step back,” it said. “You create the conditions where care survives.”
Ilar lifted her basket and walked toward the river. The heat pressed in. She entered the water and let it rinse the morning from her body.
Boundaries, she thought, can hold love safely inside.
Chapter Seven
The Hornbill
Ilar noticed the river cutting off a small patch of land. The animals there were stranded.
She formed a plan. Bamboo bound with vines, a raft strong enough to carry them across. But she would need help.
Above her, a rhinoceros hornbill moved easily through the canopy, wings flashing green and gold. It had known height and abundance, wind beneath it, space in every direction. The ground, with its weight and consequence, was distant.
The hornbill agreed at once. The idea pleased him. A grand construction. A gathering of eyes. A moment at the centre of things. He imagined how it would look from above, himself directing, the forest watching.
They began.
Ilar measured quietly, selecting bamboo with care. She showed the smaller animals how to strip fibres for rope. The hornbill lifted long poles high into the air, displaying their length before passing them down. The monkeys clapped. The civets watched.
Small creatures strained under a beam too heavy for them.
Ilar called once, then again, firmer. The hornbill did not descend. He moved from branch to branch, narrating what the raft would become. His voice carried.
Still, Ilar worked. She tied what others dropped, steadied what leaned, corrected without announcement. There was no time for pride.
By midday the raft lay against the riverbank, bound and solid. The stranded animals gathered.
“We cross together,” the hornbill declared from above.
The raft shifted unexpectedly. A tilt of weight. A push.
Ilar slipped.
Cold water closed over her.
She did not fight the current. She let herself move with it, breath held, body aligned with the pull. The raft drifted on, carrying the others toward the opposite bank, while she was swept downstream.
The hornbill circled overhead, feathers bright in the glare.
When the current eased she found herself on a stretch of soft sand. She stood, dripping. The cemayau had fallen from her basket. The heavy cempedak remained.
She looked back once at the raft moving away with the others, then turned toward the forest.
Chapter Eight
The Slow Loris
Ilar wrung out her clothes and laid them in the midday sun. Light scattered through the leaves like broken glass. She wrung water from her hair and sat on a fallen tree, letting warmth return to her skin. Soon she dressed again in sun warmed fabric.
From the shadows a slow loris emerged, eyes wide and round, studying her with a gaze that felt both innocent and ancient.
“Why do you wear that?” it asked.
Ilar hesitated, touching the cloth as if it were a question she had carried for years. “Seeing it all laid bare is not shocking after a while,” she said. “But it is not glamorous either. Humans protect the body.”
The loris tilted its head.
“It is freeing, in a way,” she continued. “It removes performance. What we hide creates intrigue. Suggestion gives life its surreal edge.”
“Banal? Is that how you see me?” the loris asked.
Ilar laughed softly. “You could not be. But humans are not as compelling in the raw as they imagine. There is a reality to skin. Every fold. Every mark.”
“Like an old tree?” the loris asked.
“Yes. We gain magic through imagination. Through the edges. Through what is partially concealed.”
The loris shuffled closer, sniffing at her sleeve as if reading her the way it read bark and sap.
“And clothes,” she added, “create a boundary. A thin layer of control over intimacy. They allow you to exist in public without giving away every detail.”
The loris stepped back, considering.
The forest rustled. Leaves whispered.
Even clothed, she felt profoundly visible.
Thin as fabric, but sacred.
The loris slipped back into shadow, leaving only the feeling of been seen.
Chapter Nine
The Happy Tortoise
At the edge of a wide clearing, where a banyan’s roots fell like pillars into the earth, a spiny shelled forest tortoise lived without hurry. He startled no one. He did not speak until he had watched a thing fully.
People once lived here. Long gone now. Tapioca leaves and cassava roots grew thick and wild, enough for a village, more than she could eat.
Ilar stepped lightly into the field, aware of her breath and pulse. Her basket was heavier now, fruit and the weight of the day. She dug her hands into the soil until her fingers met the firm body of a cassava. She pulled. The root came free with resistance. Earth clung to it. She dusted it off and held it up.
The echo of the abandoned village pressed on her. Everything was always changing. She understood why people sought elsewhere. Still, a quiet sadness rose.
How can I be unhappy here, she thought. Will I ever be fully at ease?
“You would be mistaken to pursue happiness,” the tortoise said, who had been watching. “Happiness comes and goes. It is not the purpose of life, whatever you have been told.”
Ilar listened without argument. She peeled the cassava with her parang.
“Happiness is a choice,” the tortoise continued. “Simple in theory. Difficult in practice.”
He lifted one claw, deliberate.
Ilar cut dry bamboo into small pieces and shaved curls from another. The flame caught quickly. Water began to boil. She placed the cassava inside and let the pot work.
“Sometimes people dislike those who choose peace,” she said.
“That will disturb you only if you still live inside their expectations,” the tortoise replied. “When you master your own mind, you are less subject to theirs.”
Ilar stirred palm sugar into the water, simple and grounding.
“A difficult truth,” she said, “is that not everyone can walk alongside you.”
“Their way of seeing may not align with yours,” the tortoise answered. “In their presence you may feel judgement, or resistance.”
Ilar felt tension in her shoulders, something learned long ago.
“Your inner system reacts before you think,” she said quietly. “It responds to what the senses know.”
“Awareness interrupts that cycle,” the tortoise replied. “A pause alters the pattern.”
He pressed his claw into the soil, steady.
“Maintain peace inside, whatever the circumstance,” he said. “Not as a fleating feeling. As a foundation.”
Sunlight shifted across the banyan roots. The fire reduced itself to coals.
Chapter Ten
The Oriental Darter
The afternoon grew bright and heavy. Ilar walked along the river until it widened, where dead branches reached over the wate. A bird perched there, long neck tucked short, sharp gaze, still as a held breath.
An oriental darter.
It lifted its wings and held them open to dry, dark feathers spread wide, not for show but for function, as if even drying required discipline.
Ilar shaded her eyes from the glare. “People tell me to bright.”
The darter turned its head slowly. “And how does that feel?”
“Like pressure,” she said. “As if I must always be ascending.”
The wings remained open, steady.
“If I forced constant movement,” it replied, “I would exhaust myself. Height is not achieved by strain. It is held by balance.”
A faint gust rippled the surface of the river. The darter adjusted almost imperceptibly.
“Swing too far either way and you travel a long distance back to centre,” it said.
Ilar sat on a rock, watching the current.
“I give time to rest,” she said slowly. “To imagine. To pray. To hold belief that something greater moves through me. And yet I am told to be more. Higher. Stronger.”
The darter’s gaze did not waver.
“No one holds you down,” it said. “Not unless you hand them that power. Often you assume what others expect. You build rules inside your own mind.”
The light shifted across the water.
“This is not rejection of all structure,” the darter continued. “It is recognition. Which rules are yours. Which are inherited. Which no longer serve.”
Ilar watched the river.
“My task is to return to balance,” she said.
“Yes, to be ordinary is extraordinary,“ the darter answered. “Between sky and earth.”
The darter folded its wings and dropped cleanly into the river, vanishing beneath the surface.
The water stilled, then broke again into ripples.
Chapter Eleven
The Crocodile
Back by the river, the day had begun to soften. Ilar walked along the bank where the mud held footprints with a slight suction. She set a simple bamboo line and waited, patient as the current.
A slow, ancient crocodile lay half submerged in the shallows, eyes just above the surface.
Ilar sat on a rock, tracing patterns in the sand, waiting for the slightest pull.
“The weight of it all,” she said quietly. “You set out to support, to care, to be there, and the world moves differently than you imagined. Someone you trusted acts as if you do not exist.”
“Is it anger?” the crocodile asked.
“Not only anger,” she said. “It is the small fractures in care. The moment you realise someone does not have the steadiness or willingness to meet you where you stand. You tend to your own wounds.”
The crocodile shifted closer, mud parting softly.
“Even small gestures can feel misaligned,” she continued. “Words sting. And yet you endure.”
Ilar traced a drop of water on the rock.
“Sometimes those closest to you are not capable of the presence you require. You make peace with that. You protect your heart. You acknowledge what was absent while holding what remains.”
The crocodile’s eyes stayed level with the surface.
“And so you continue,” it said. “You move through the river. You return to shore.”
The line gave a faint tug, then stilled.
Then it pulled hard.
A fish flashed at the surface. Ilar unhooked its jaw and watched as it took its last breath. She remembered what her spouse had once said, he is lucky to be eaten by us.
The river smelled metallic.
The crocodile sank deeper, letting the current fold over it.
Ilar stood, feeling the rock steady beneath her feet, aware of her endurance.
The reeds shifted in a brief wind, then were still.
Chapter Twelve
The Elder Sunda Clouded Leopard
As the light lowered toward amber, Ilar moved back into the heart of the jungle where sunlight dripped gold. The day’s walking had loosened something in her, the way distance does.
High on a branch, an elder Sunda clouded leopard watched, silver flecks in her coat, eyes heavy with years.
“I need to speak,” Ilar said, steady. “I need clarity about the years past.”
The elder yawned lazily. “I have lived with my regrets,” she said. “I tried.”
“You were supposed to protect me. You chose to harm me. That is not love.”
The elder looked away, scratching at bark. “I could not cope with you. Your anger.”
“My anger was proof my boundaries were betrayed.”
The jungle did not intervene.
“I understand you had limitations,” Ilar said. “But they do not erase the harm.”
She had heard apologies tangled with excuses, sorrow wrapped in blame. This time she stopped herself from asking the elder for what she could not give.
“I will continue to live,” she said. “To grieve. I will give you space to sit with your choices.”
The elder’s eyes drifted elsewhere.
In that moment Ilar realised what she had carried so heavily was not being held by the elder at all.
She stood in her clarity. In her boundary.
She turned back toward her paths, toward the rivers and vines and the house she had built.
Above her, the elder remained in the branch like a shadow of history. Present. Named.
The trees held the truth in their rings.
Chapter Thirteen
The Bearded Pig of Forgiveness
Evening gathered slowly, the air cooling, shadows lengthening.
Ilar walked along the path. Ahead, in a clearing of trampled grass, a bearded pig stood still. Massive. A presence.
Ilar stopped. “Why is forgiveness so hard?”
The bearded pig did not move at first. Then slowly it rubbed its shoulder into the earth, dusting itself with soil.
“Because when you have been betrayed,” it said, “you want your truth to be seen. You want the other to understand the pain they caused.”
“They know,” Ilar said. “And they never sought to put it right.”
“They have their own story,” the pig replied. “Some would rather defend themselves, at your ruin than look inward. Forgiveness can feel like letting them off the hook.”
The last light thinned.
“And I do not want to pretend nothing happened.”
“Then do not erase it,” the pig said. “Integrate it. Make sense of your story. Forgiveness is understanding.”
Ilar watched the way its hooves pressed into the soil.
“Hold the capacity to see the limits from which the other acted,” it continued.
“To see it clearly,” she said.
“Yes. You can acknowledge and refuse to take it personally, do not carrying their burden.”
A bird called somewhere beyond the trees, then stopped.
“It is hard,” the pig said. “You were once vulnerable, without the knowledge you now have.”
Ilar felt that land.
“But I almost did not become the person who could hold this,” she said. “And that was the intent.”
“Then do not let it be so,” the pig answered.
The jungle held its breath.
“Some will never change,” it said.
“Then what am I to do?”
“Act with integrity. Walk your path.”
“And how will I know my path?”
The pig shifted its weight, certain.
“When you align with what is genuinely yours, life begins to organise around you.”
Ilar felt the attachment she carried to the elder.
“Alignment is everything,” the pig said. “Life comes in chapters. They teach you, then they end. You must recognise when.”
Silence settled.
The bearded pig turned and walked away, leaving deep impressions in the earth.
Ilar stood in the clearing, feeling memory and choice pull in opposite directions.
Forgiveness was not forgetting. It was moving forward with her truth intact.
The hoof prints filled with shadow as the sun lowered beyond the trees.
Chapter Fourteen
The Lanternfly
Ilar found her way back through familiar turns, the last stretch guided more by her feet than by thought. Before the house came into view, her cat appeared in the undergrowth, eyes bright, brushing past her legs. She paused at the threshold and looked up.
Above her, faint but certain, a light crossed the dark blue.
A satellite.
Another followed.
“They are multiplying,” she said.
Her cat did not lift his eyes from what he tracked in the grass.
On the trunk of a nearby meranti tree a lanternfly held itself perfectly still. Its body seemed carved, precise, the elongated snout like a small antenna. It shifted just enough to catch the moonlight.
“They are useful to you,” it said.
“Yes.”
“To send your words across oceans.”
“Yes.”
Ilar kept looking upward.
“We used to navigate by the stars,” she said, more to the sky than to the insect. “We sent our prayers to the moon and felt connection without them.”
The lanternfly did not interrupt.
“We have made black mirrors from mined minerals,” she continued. “We hold them in our hands. We carry them everywhere. We tend to them like small hungry creatures.” She glanced at her cat, prowling with focus in the grass.
The insect opened its wings slightly, revealing a hidden flash of red.
“Insects build too,” it said. “Termites raise towers. Ants cultivate fungus. Bees engineer hexagonal hives. We consume. We swarm.”
“But you cannot consume all that feeds you,” Ilar replied.
The lanternfly inclined its head, catching a thin edge of light.
“Exactly.”
Another satellite crossed the sky.
“It feels relentless,” she said.
“Your kind named us lanternflies,” it replied, “they believed we emitted light. They thought the glow came from within.”
Ilar watched it closely.
“It does not,” the lanternfly said. “I have no light. Only form. And reflection.”
“You cannot go back,” it continued. “Only forward. Expanding into what is.”
Ilar felt her feet against the soil.
“From the ground up,” she said quietly.
“And remain coherent,” the lanternfly answered.
“Yes, coherent,” she repeated, the word settling in her chest like something placed carefully.
Her cat sprang suddenly. The lanternfly lifted into the night.
Ilar remained where she was, connected to signals from space, feet planted in the earth.
Night arrived fully. Insects rose into chorus. Cicadas sparked their electric song.
Chapter Fifteen
The Owl
Inside, her spouse lit the fire and they cooked what they had gathered. Fish of different shape and sizes as wrapped in leaves, smoked perfectly over flames. Rice from last year’s harvest, with fresh chili from the garden. The day gone, they chatted quietly by the fire.
“I saw the frog again this morning by the river.”
“The durians are not yet ripe.”
Later, when the embers dimmed, a great owl perched on a low branch outside, eyes bright. Ilar felt called to stepped out from the smoke fill room, into the fresh night, where moonlight caught in its feathers.
The owl spoke.
“Imagine you are the creator of all things. You create the human being. Would you design them as helpless victims, or as complex systems capable of awareness, capable of discovering their own power and shaping their own experience?”
Ilar stood still, absorbing the weight of the question.
“If we begin to understand ourselves as movement,” the owl continued, “as thought and sensation passing through form, then how we shape our environment becomes clearer.”
“Does belief alter outcome,“ Ilar questioned, “and we are not fixed forms, perhaps we are architects of experience.”
The owl folded its wings.
“We experience the world as solid. Yet there is no solidity at all. There is movement, energy and then nothing.”
Ilar’s eyes traced the shimmer of moonlight on the river beyond the trees and leaves in the wind. “Nothing, yet everything,” she murmured.
“Creatives often know discomfort. From that place they begin to reshape what exists.”
Ilar frowned slightly.
“The creative person is almost without choice,” the owl continued. “Their mind moves differently. Their perception shifts differently. And that makes for different outcomes.”
Ilar’s gaze drifted to the posts of her house, to the design she inhabited.
“An architect builds twice,” she said. “First in the mind. Then in matter.”
The owl held her gaze.
“To shape what is not yet visible,” it said, “requires you to understand the depth from which form arises.”
The jungle hummed around them. The cat curled on the warm boards behind the open door.
Ilar returned inside, sitting beside her cat as the night settled fully.
Chapter Sixteen
The Snake Skin
As she prepared for sleep, a faint sound came from the corner of the house, like dry leaves shifting where the light did not quite reach.
A snake, she thought.
IIt hissed, a whisper close enough to feel.
“If I told you, would you listen?”
She stood still, both wary and curious.
The voice came again, calm and close.
“You have more power than you know,” the voice said. “Observe. Learn. When you see clearly, find a place from which you can be yourself.”
The fire ticked. Outside, insects sung the chorus.
“Find your place. Take whatever sacrifices are necessary, to become yourself in every way possible.”
“Do not opening old wounds,” the voice said. “Let the scar of curiosity become literature, a narrative other people can see without revealing yourself entirely.”
Heat rose to her cheeks.
“Your life is not a detour to death,” it said. “It is the material from which you build, that which you become.”
She stepped closer.
Then she saw it.
It was not the snake at all.
Only the skin.
Shed and left behind in a loose, translucent coil. No body, a ghost of a snake that had moved on.
The house let go of its warmth through the gaps in the floorboards. The jungle held the house as Ilar snuggled into her lover’s arms and drifted into dreaming.
I hope you enjoyed The Architects Fables, written in the jungle.
You are welcome to join us here in the rainforest for your own creative writing journey.